As a visual artist, I explore the instability of perception and the fragile boundary between imagination and reality.

My work is rooted in an intuitive and reflexive approach, where form does not pre-exist but emerges through processes that remain partially indeterminate. Drawing, digital environments, sculpture, and installation are not separate practices, but different conditions through which the same visual language unfolds.

Across these works, I am less interested in representing the world than in constructing perceptual situations — spaces where the image hesitates, fluctuates, and resists full resolution. The indiscernibility that runs through my practice is not an effect, but a necessary condition: it activates the gaze, inviting the viewer to project, interpret, and complete what is never fully given.

This process is guided by what I describe as viscerality — a state where attraction and discomfort coexist. Forms may appear unstable, fragmented, or even unsettling, yet they retain a certain intensity that operates beyond representation. Meaning does not precede the image; it emerges through the experience of perceiving it.

Working across mediums is essential to my practice. Form moves from drawing to sculpture, from digital simulation to physical matter, and back again, revealing its capacity to persist, transform, and reappear across different states. The medium is never an end, but a condition that shapes how form can emerge.

Ultimately, my practice seeks to create experiences that foster introspection and perceptual awareness — spaces where the viewer encounters not a fixed image, but the very process through which images come into being.

My work is structured by recurring forms that emerge, transform, and reappear across mediums. These forms do not begin as deliberate symbols; instead, they arise unexpectedly from the process — a shape might recall an egg, a shell, or a feather. I do not set out to represent them; they reveal themselves.

Once present, these forms recur — not as fixed meanings, but as carriers of tension: protection and exposure, emergence and collapse. Their meaning is never static; it arises through perception and transformation.

As these forms pass from drawing to sculpture, from digital to physical, they retain traces of their past states while continually evolving. What endures is not a fixed definition, but an ever-changing field of associations — inviting the viewer into a space of open perception, where meaning is always unfolding.