2025
Group Exhibition. Noise Media Art Fair: Sacred Code — curated by Data Gallery x Objkt, with Inner Compass. 17–21 Sept. Istanbul, Turkey.
Group Exhibition. Screensavers for the End of Time — curated by Xor Space, with Seeds. Online exhibition on Objkt.com.
2024
Online Group Exhibition. Unrestricted Earth — The Wrong Biennale. Virtual gallery.
2023
Group Exhibition. Loophole — curated by XOR Space x Timcheh Music Festival. 30 Nov – 2 Dec. Cologne, Germany.
Group Exhibition. Venice International Art Fair — curated by Luca Curci. 21 Sept – 6 Oct. Venice, Italy.
Group Exhibition. Tifawt Digital Art — curated by Morocco Numerica. Rabat International Digital Art Festival. 15–21 May. Rabat, Morocco.
2021
Duo Exhibition. Voyage de l’Imaginaire — Recto VRso International Digital Art Festival. Bateau Lavoir St-Julien. 7–11 July. Laval, France.
2020
Online Group Exhibition. Children of Cyberspace — curated by In-Dialog. Virtual gallery.
2019
Group Exhibition. Photography and Digital Art — curated by Léa Rime. Libre Est l’Art Gallery. 12–19 Oct. Paris, France.
Group Exhibition. Safra’Numérique — Festival of Art and New Technologies, Safran. 19–23 March. Amiens, France.
2018
Group Exhibition. Real Matter / Virtual Matter — Recto VRso International Digital Art Festival, curated by Judith Guez. 3–8 April. Laval, France.
Group Exhibition. Folie Numérique No. 5 — Centre d’Art Numérique: Fées d’Hiver. 12–14 Jan. Paris, France.
2017
Group Exhibition. Maker Art Exhibition — Collaborative project. 3–5 Nov. Taipei, Taiwan.
Art Presentation. Inkub Center. 17 Oct. Nevers, France.
2016
Group Exhibition. Les Féeries Nocturnes — Digital Art Festival, curated by Fées d’Hiver. 3 July – 9 Aug. Crévoux, France.
2014
Group Exhibition. CIVD — Intercultural Festival. Université Paris 8. 14–17 April. Saint-Denis, France.
2010
Group Exhibition. Institut Supérieur des Beaux-Arts de Tunis Exhibition. Kheireddine Palace. Tunis, Tunisia.
Art Competition and Exhibition. Youth and Creation — organized by the Ministry of Culture and Heritage. Maison des Associations Médicales Slimania. Tunisia.
2009
Group Exhibition. FIAP — Mahares International Festival of Visual Arts. Mahares, Tunisia.
Background
Education
2020 Training in Explicitation Interview Techniques — 35h (Dec 2020) by Anne Cazemajou – LE GREX
2017 PhD in Aesthetics, Sciences and Technologies of the Arts. Specialization: Digital Image. Université Paris 8 Vincennes Saint-Denis.
2012 Master’s in Aesthetics, Art and Culture. Specialization: Aesthetics. Université Paris1 Panthéon Sorbonne (high honors)
2011 Advanced Degree in Aesthetics, Art and Culture. Specialization: Aesthetics. Université Paris1 Panthéon Sorbonne (high honors)
2010 Advanced Degree in Fine Arts. Specialization: Engraving. Institut Supérieur des Beaux-Arts de Tunis (high honors – top of class)
Professional Experience
Teaching
2021–2022 Lecturer in Disciplinary Methodology — Université Catholique de l’Ouest, Level L3, 18h. Angers, France.
2019–2020 Lecturer, Photography and Contemporary Art — Université Paris 8, Master Level, 2h (volunteer). Paris, France.
2018–2019 Lecturer, Culture and Digital Competencies — Université Paris 1 Panthéon-Sorbonne, Level L1, 48h. Paris, France.
2015–2016 Lecturer, History of Digital Art — Université Paris 8, Level L3, 30h. Saint-Denis, France.
Artistic Creation Support
Current Independent Research-Creation Methodology Facilitator
2022 Explicitation Interview & Project Writing Support — Artist Cédriane Fossat, Recto VRso x Streolux Crossed Residency, Laval Virtual Center
2021 Explicitation Interview — Artist Léa Dédola, Recto VRso x Streolux Crossed Residency, Laval Virtual Center
2021 Explicitation Interview — Artist Katia Morel, Recto VRso x Streolux Crossed Residency, Laval Virtual Center
Programming & Artistic Direction
2021–2022 Assistant Artistic & Scientific Director — Recto VRso Festival, Laval Virtual
2018–2019 Research Engineer (Post-doctoral) — European Program @POSTASIS: Virtual Artistic Laboratory, Université Paris 8 x École des Beaux-Arts d’Athènes. Coordinated Third Multiplier Event: Conference and Exhibition with École des Beaux-Arts d’Athènes, Université Paris 8, Argenia Association of Generative Art, La Folie Numérique No5, Parc de la Villette.
Research & Creation
Scientific Publications
2022 “The Constellation Model: A Mindful Methodology of Research-Creation” — in Visual Pedagogies Concepts, Cases and Practices, Brill, 2022. URL
2017 “Poiesis in artistic real-time collaboration: towards an idiosyncratic methodology of research-creation” — Erasmus+ @postasis Virtual Artistic Laboratory. License CC-BY. URL
2017 “Sense of presence in oneiric virtual environments: sketching the necessary and sufficient conditions” — in Proceedings of the 2017 ECAL, the 14th European Conference on Artificial Life, MIT Press, 2017, pp.600-605. URL
2017 “Digital Interaction as an opening space for aesthetics of consciousness” — in Technoetic Arts, 2017, vol.15.3, p.231-245. URL
2016 “Eye tracking for understanding aesthetic of ambiguity” — in Proceedings of the 2016 Virtual Reality International Conference, ACM, New York, 2016, p. 9. URL
International Conferences & Presentations
2023 “Immersive perceptual experiences & dreamlike states” — QLD XR Festival, Queensland, Australia. Live discussion on Discord 25/02
2022 “Live Discussion on Immersive Art & Exhibition” — XR4Europe. Live discussion on Discord 05/07
2019 “Behavior Interactive Interface, a methodology toward building dynamic systems in multi-user environments” — Apostasis Virtual Artistic Laboratory Third Multiplier Event. Paris, France 18–19/04
2018 “Anima, Into the mind’s eye” — International Forum Ancient Drama & the Digital Era, Fondation Michael Cocoyannis. Athens, Greece 05/11
2017 “Sense of presence in oneiric virtual environments: sketching the necessary and sufficient conditions” — The 14th European Conference On Artificial Life, INRIA/ISAL, INSA Lyon. Lyon, France 04–08/09
2017 “Kinetics of the gaze, towards daydreaming” — aCROSS ’17 Movement, Experience, Models, UFR04 Centre Saint-Charles. Paris 20/04–17/05
2016 “Digital Interaction as opening space for aesthetics of consciousness” — The 19th International Research Conference In The Planetary Collegium’s Series Consciousness Reframed in the Post-Biological Era, DeTao Masters Academy. Shanghai, China 26–27/11
2016 “Aesthetic of ambiguity and the right of imagining: a critique of realism” — VI Lisbon Summer School for the Study of Culture: Transvisuality, Fondation Calouste Gulbenkian. Lisbon, Portugal 27/06–02/07
2016 “Eye tracking for understanding aesthetic of ambiguity” — Laval Virtual 18th International Conferences and Exhibition on Virtual Technologies and Uses. Laval, France 23–27/05
2015 “What method for interpretation of interactive digital artworks?” — Doctoral School in Cultural Studies Matter, sensation and meaning, Université de Copenhague. Copenhagen, Denmark 17–18/12
2015 Discussant — Critique ⇔ Creation: a thought crossed by the arts/works bearing critique. LABEX Arts-H2H, Théâtre des Abbesses, Paris, France 10–12/12
Educational Interventions
2020 Research-Creation Methodology Masterclass — Digital Arts. École 42, Paris, France 11/01
2018 Research-Creation Methodology Masterclass — Seminar of the Laboratory Art, Virtual Reality & Multi-user Systems of Artistic Expression. École des Beaux-Arts d’Athènes, Athens, Greece 14/11
2018 Research and Writing Methodology Masterclass — Arts and Image Technologies. Seminar of the Laboratory INReV (Images Numériques et Réalité Virtuelle). Université Paris 8 Vincennes Saint-Denis. Saint-Denis, France 20/02
2018 Research and Writing Methodology Masterclass — Arts and Image Technologies. Seminar of the Laboratory INReV (Images Numériques et Réalité Virtuelle). Université Paris 8 Vincennes Saint-Denis. Saint-Denis, France 22/01
Jury Membership & Selection Committees
2021–2022 Jury Member — Artistic residency and project selection, Château Ephémère Fabrique Sonore et Numérique
2021–2022 Jury Member — Project selection in Recto VRso x Streolux Crossed Residency
2019 Reading Committee Member — ACM Symposium in Applied Perception
2016 Student Selection Committee Member — Université Paris 8, Department of Arts and Image Technologies (ATI)